God departs and paves the way for Fellini's extraordinarily prophetic vision of a generation's spiritual and moral decay. The depravity is gauged against the exploits of Marcello (Mastroianni), a
The conventional wisdom is that Federico Fellini went wrong when he abandoned realism for personal fantasy; that starting with "La Dolce Vita" (1959), his work ran wild through jungles of Freudian, Christian, sexual and autobiographical images. The precise observation in "La Strada" (1954) was the high point of his career, according to this view, and then he abandoned his neorealist roots. "La
Like Fellini’s 1963 film 8 1/2, La Dolce Vita is dripping with rich imagery, as well as staggering ambition. Through all of subliminal pieces at play, the story is focused on gossip and celebrity journalist Marcello Rubini, played by the suave Marcello Mastroianni.. 247 356 111 58 249 316 126 281 90
la dolce vita movie summary
